Please watch this clip.
Life is good, of that I am sure, and there are days when we want to share our good fortune with others. In this movie, Sullivan the main character lives a charmed life, he is good man, but really knows nothing about the life of a Hobo. And he believes by making a film about the injustices on the planet, that he can expose the problems, and bring a solution.
Therefore, he goes out to be a Hobo, rides in a train car, but has problems, and starts to actually live the life of a Hobo.
HoboTraveler.com, the parent site is for fun, being a true Hobo is not so fun, so we want you to realize, in the end, life is good, and we need entertainment more than we need misery. Maybe better to change the world by making more people happy, then talking about misery, better to put a smile on someones face.
Watch the movie if you can, it is fun, but with a story to be told.
Thanks, Andy Lee Graham
John L. Sullivan (Joel McCrea) is a popular young Hollywood director of profitable, but shallow comedies (e.g. Ants in Your Plants of 1939). Sullivan is dissatisfied despite his success and tells his studio boss, Mr. Lebrand (Robert Warwick) that he wants his next project to be a serious exploration of the plight of the downtrodden. He asks to make his next film an adaptation Oh Brother, Where Art Thou?, an ostensibly socially conscious novel by Sinclair Beckstein. Lebrand wants him to direct another lucrative comedy instead, but the idealistic Sullivan refuses to give in. He wants to "know trouble" first-hand, and plans to travel as a tramp so he can return and make a film that truly depicts the sorrows of humanity. His butler (Robert Greig) and valet (Eric Blore) openly question the wisdom of his plan.
Sullivan dresses as a penniless hobo and takes to the road, followed by a fully staffed double-decker coach at Lebrand's request. Neither party is happy with the arrangement; and Sullivan eventually persuades his guardians to leave him alone and arranges to rendezvous with them in Las Vegas later. However, when he hitchhikes alone, he finds himself back in Los Angeles where he started.
Then he meets a young failed actress (Veronica Lake, credited only as "The Girl") who is just about to quit the business and go home. She believes he is truly a tramp, and buys him a breakfast of eggs and ham. In return for her kindness, Sullivan retrieves his car from his estate and gives her a lift. He neglects to tell his servants that he has returned; so they report the "theft" of the car and Sullivan and the Girl are apprehended by the police. Upon their release, the Girl pushes him into his enormous swimming pool for deceiving her about his true identity. However, after considering her options, she becomes his traveling companion.
This time Sullivan succeeds in living like a hobo. After eating in soup kitchens and sleeping in homeless shelters with the Girl, Sullivan finally decides he has had enough. His experiment is publicized by the studio as a huge success. The Girl wants to stay with him, but is stymied by his complicated living situation. On the advice of his business manager, Sullivan had gotten married to reduce his income tax. Ironically, he discovers that his wife cost him double what he saved in taxes.
Sullivan decides to thank the homeless by handing out $5 bills, but one man decides he wants more than his share and ambushes Sullivan when he is alone, taking the cash and Sullivan's shoes. Sullivan is knocked unconscious and thrown onto a train boxcar leaving the city. The thief drops the loose cash on the rails and is run over and killed by another train while picking it up. When the thief's body is found, they discover a special identification card in his shoes identifying him as Sullivan. The mangled body is assumed to be Sullivan's, and his staff and the Girl are informed of his death.
Meanwhile, Sullivan wakes up in the rail yard of another city, with no memory of who he is or how he got there. In his confused state, he assaults the railroad worker who finds him, for which he is sentenced to six years in a labor camp. Sullivan slowly regains his memory. While in the labor camp, Sullivan attends a showing of Walt Disney's Playful Pluto cartoon. Looking at the pure joy in the audience's faces, Sullivan realizes that comedy can do more good for the poor than his proposed social drama, O Brother, Where Art Thou?.
But Sullivan still has a problem – he cannot convince anybody that he is Sullivan. Finally, he comes up with an ingenious solution: he confesses to being his own killer. When his picture makes the front page of the newspapers, the Girl recognizes him and gets him released. His "widow" had already taken up with his crooked business manager, so he can now divorce her and be reunited with the Girl. A montage of happily laughing faces ends the film.
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